city morgue vol 1 hell or high water zip

But that’s not the point just yet: this project runs a cool 30 minutes, and as a first volume it leaves one anxiously awaiting the sequel. Unlike Waka, there isn’t generally much variety or development to be found here. Again like Waka, City Morgue have a deep understanding of their own appeal they can craft a hook with ease and their flow is effortless. There’s definite focus here too, though - just listen to “Arson,” with its chorus of “ Kill kids/ Hang kids / City Morgue kill shit.” Or “Lamborghini Getaway,” which gets a slow-motion, sneering flow. Mula’s higher register swaggers more, like a deranged sidekick high on… something he personally cooked up. Zilla’s is a monstrous roar, like that of the city-destroyer he’s named after, and it’s a sound that can cut through metal - or, at least, the heavy metal guitar-and-bass instrumentation that accompanies most tracks. The two rappers tag-team through verses about violence and drugs, with the biggest difference between them being what matters most in the SoundCloud rap scene: the qualities of their voices. City Morgue, Zillakami & Sosmula City Morgue Vol 1 Hell Or High Water (2018) Tech N9ne Planet (2018) Little Simz Age 101: Drop X (2015) Sims Field Notes (2014) Migos Mexico (2014) Jeremiah Jae Dirty Collections Vol.

The results are terrifying and often electric: Like Waka on Flockaveli, Zilla and Mula create a sonically unrelenting, uncompromising release that distorts the view of their environment through the lens of a historical document, not unlike $uicideboy$ recent mixtape. CITY MORGUE VOL 1: HELL OR HIGH WATER THE BALLOONS E xplicit M aster. In the rap game, it’s hard to differentiate bluster from authenticity - or as ZillaKami puts it on “GraveHop187”: “ Y’all ni**as bluffin’ / Not bangin’.” Zilla started off ghostwriting 6ix9ine verses, and together with his friend SosMula, the duo are not afraid to get downright violent on their debut mixtape as City Morgue, Vol.

City morgue vol 1 hell or high water zip